This is the last part of a six-part World Building Series. Today, we discuss five tips for incorporating myth and magic into your world building.
The question of the week is: What are your favorite books, series, or movies that include mythology or magic?
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Transcript
Back when my son was young, we read several of Rick Riordan
Speaker:books together. Beginning with the Lightning Thief in the Percy
Speaker:Jackson and the Olympians series, we had a great time. As
Speaker:I ordered mix Greek mythology with modern day characters to
Speaker:create a highly inventive high stakes middle grade series. His
Speaker:characters were funny and likeable. Their adventures wrote
Speaker:all over the US and my son got his introduction to the major
Speaker:Greek gods. We also enjoyed several of Owen Cooper's Artemis
Speaker:Fowl books, in which the author explained some of the powers of
Speaker:the elves in quite logical ways. I love it. When books handle
Speaker:mythology and magic well, don't you. This is the last
Speaker:installment of our six part world building series entitled
Speaker:magic myth and man willed supernatural power. And today I
Speaker:will give you five tips to successfully incorporate myth
Speaker:and magic into your world building a writing precedes
Speaker:authors. Welcome back to the podcast. To those of you who are
Speaker:new, I want to extend a special welcome. My name is Kathrese
Speaker:McKee. And I'm glad you're here. If you are a writer seeking
Speaker:encouragement, information and inspiration, this podcast is for
Speaker:you. Let's get to it. The word myth comes from the Greek word
Speaker:mythos, which means word of mouth. Mythology is a set of
Speaker:stories which features supernatural beings and their
Speaker:effects on the natural world, including humans. Every
Speaker:civilization has word of mouth stories about Gods and
Speaker:Goddesses, and supernatural creatures. Religion differs from
Speaker:mythology although they are often intertwined. Myths are
Speaker:stories people tell each other and pass on to the next
Speaker:generation. And religion is a set of beliefs we follow.
Speaker:Legends are stories about actual people, mostly, but the stories
Speaker:themselves may or may not be based on fact, they are legends,
Speaker:and thus, it's hard to parse fact from fiction. Mankind loves
Speaker:its myth, and from there, it's not a long jump from
Speaker:supernatural beings to Magic, magic systems, magical
Speaker:creatures, and humans who somehow discover and wield
Speaker:magic. Here are five tips for incorporating myth and magic
Speaker:into your world building. Tip number one. If you are drawing
Speaker:from myth from past or existing civilizations, make sure you
Speaker:research them thoroughly and make certain you understand them
Speaker:so you can incorporate the myths accurately and in a respectful
Speaker:way. Believe me, if you get something wrong or portray a
Speaker:myth poorly, you will have readers who know you got it
Speaker:wrong. Don't be that author. This is especially relevant to
Speaker:historical fiction authors. Make sure you get your facts right.
Speaker:Use more than one source just like your teachers made you do
Speaker:for research papers, and make sure you use reputable sources.
Speaker:Don't stop at Wikipedia. As a side note, why not share your
Speaker:sources with your readers. This leads to transparency. I know
Speaker:it's not our research paper. But your interest in a certain kind
Speaker:of mythology can be something you share with your readers. I
Speaker:loved Greek and Roman mythology when I was a kid, but I don't
Speaker:consider myself to be an expert. I have trouble keeping all the
Speaker:names straight and remembering which God did what. But there
Speaker:are plenty of people who study myths. No matter if the origins
Speaker:are Greek, Roman Norse, Egyptian, Celtic, I hope I said
Speaker:that right? Hindu, Chinese or that of indigenous peoples
Speaker:around the world. So don't skimp on the research. Better, I think
Speaker:to create your own mythology for your own universe than to get
Speaker:existing myth wrong. Tip number two, consider how mythology will
Speaker:affect your fictional society. Mythology serves as a source of
Speaker:identity for people, it forms a common basis of understanding.
Speaker:Remember myth come from word of mouth, so it will be
Speaker:demonstrated through an oral tradition. Mythology is also
Speaker:used to pass on morals and ethics to future generations to
Speaker:teach children the pitfalls of poor behavior. Show this in your
Speaker:stories if the myths are important to the plot, mythology
Speaker:is an inspiration for art and culture, ballads, chants poetry,
Speaker:traditional dances and music. As I mentioned before, mythology is
Speaker:often tied to religious rituals and practices. That's ology even
Speaker:affects politics and government decisions, with many examples
Speaker:from history of how those Empower, harnessed mythology to
Speaker:stay in power and wield authority. Keep these things in
Speaker:mind as you plot your story. Writing pursuits is run by
Speaker:Kathrese. McKee, who has been trusted by fiction authors since
Speaker:2014. To take their writing to a new level of excellence.
Speaker:Guthrie's is a three story methods certified editor who
Speaker:specializes in story diagnostics, coaching and line
Speaker:editing to help you prepare your story for the journey ahead. For
Speaker:more information, go to writing pursuits.com. The link is in the
Speaker:show notes. And now, back to the podcast.
Speaker:Tip number three. If you're world building includes magic,
Speaker:figure out the systems of magic that exists in your world, and
Speaker:the rules that apply to each. Then make bills clear to your
Speaker:readers without any info dumps. In part three society's rules we
Speaker:discussed briefly, the laws of magic and Sanderson three laws
Speaker:of magic, and I'll repeat, one and author's ability to solve
Speaker:conflict with magic in a satisfying way is directly
Speaker:proportional to how well the reader understands said magic.
Speaker:To the costs and limitations and flaws in your story. are what
Speaker:make your magic interesting. And number three before adding
Speaker:something new to your system. First, expand on what you
Speaker:already have. is magic in your world benevolent or malevolent?
Speaker:Is Magic, legal or illegal? Who has magic and how does it work?
Speaker:Okay, so if you're new to magic in fiction, I honestly don't
Speaker:know what to say. No, that it is perfectly okay to come up with
Speaker:your own system and rules. If you want to start in place, you
Speaker:can look into these common types of magic failed in fiction,
Speaker:elemental magic, like in Avatar The Last Airbender, with those
Speaker:who could bend air, water, fire and earth, and in the darkest
Speaker:case, there were a couple of instances of blood bending
Speaker:necromancy, which includes contouring and controlling the
Speaker:dead as in The Raven Boys by Maggie, stepfather, and the
Speaker:Mummy See movie series. Divination, which includes
Speaker:foreseeing the future or gaining insight by various means
Speaker:enchantment, which appears in fairy tales beyond number where
Speaker:people are manipulated through potions and spells,
Speaker:transformative magic, which is featured in the Harry Potter
Speaker:series, when certain characters can transform themselves into
Speaker:the likeness of animals. illusion magic, as in the
Speaker:Dresden Files by Jim Butcher, in which a human wizard detective
Speaker:uses magic to create illusions and manipulate the census and
Speaker:filing healing magic, which is common throughout literature,
Speaker:dark magic, which is considered to be somehow taboo. Even among
Speaker:those who wield magic. It is almost always used to harm or is
Speaker:a dangerous shortcut. Commonly, it takes a form of hexes poisons
Speaker:and curses. The unforgivable curses in Harry Potter by JK
Speaker:Rowling are a good example is as is the magic of the White Witch
Speaker:in The Chronicles of Narnia, The Lion, the Witch and the Wardrobe
Speaker:by CS Lewis. Tip number four decide on the sources of magic
Speaker:in your world building. Ns Anderson, Sanderson indicated
Speaker:the costs and limitations. Are characters born with their
Speaker:magic? If not, how is it acquired? Or do they learn to
Speaker:harness the powers of magical objects? What are the sources of
Speaker:magic, but God's the elements blesses objects? What does magic
Speaker:cost those who willed it? How do they seek strengthen it or
Speaker:weaken it? Or their countermeasures to magic write
Speaker:down your rules, so it's easy to stay consistent? And then think
Speaker:about the following? How does society respond to magic? Is it
Speaker:banned, traded, revered or feared, who seeks to control it,
Speaker:destroy it or hoard it? This is how you create conflict and plot
Speaker:points and themes in your stories. Tip number five.
Speaker:Science fiction is not immune to magic and mythology. Science
Speaker:fiction usually does not incorporate magic. But to those
Speaker:who do not understand a certain technology, that technology may
Speaker:seem magical. Also, people tend to worship their technology. I'm
Speaker:looking at you Apple bros. Hmm. Sometimes technology can reach
Speaker:mythological levels, particularly if the knowledge
Speaker:that created is lost to those who rediscover it. Let me gently
Speaker:point out that those who put forward the theories of aliens
Speaker:building the pyramids, or passing on astrological
Speaker:knowledge to ancient peoples, ancient humans are perfectly
Speaker:capable of figuring out astrological stuff on their own,
Speaker:and building enormous complex structures. giving credit to
Speaker:aliens for human achievements, is a common means of denying
Speaker:credit to black and brown people for possessing amazing
Speaker:abilities. So just because we've lost the knowledge of how they
Speaker:built the pyramids, or figured out the movement of the stars,
Speaker:doesn't mean they weren't smart enough to do it themselves. I'm
Speaker:just saying. Also just stop calling any human primitive
Speaker:fight me in the streets because this is a hill I will gladly die
Speaker:on. Of course, if the tech you have in your story is supposed
Speaker:to be an alien technology. Go for it. Okay, in this last part
Speaker:of our world building series, we've covered these tips. One,
Speaker:if you're using existing myth, take care to get them right to
Speaker:consider how mythology will affect your fictional society.
Speaker:Three, if your world building includes magic, figure out the
Speaker:systems of magic that exist and the rules that apply to each
Speaker:four decide on the sources of magic in your world building and
Speaker:its costs and limitations. Science fiction and is not
Speaker:immune to magic in mythology. The question of the week is,
Speaker:what are your favorite books series or movies that include
Speaker:mythology or magic? Leave your answers at writing pursuits
Speaker:dot.com forward slash podcast forward slash 57. That's all I
Speaker:have for today. Until next time, keep writing my friends keep
Speaker:writing. Thank you for listening to the podcast today. If you
Speaker:enjoyed this episode, please leave a star rating and follow
Speaker:the podcast. If you're new around here, I hope you will
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Speaker:link and all the links mentioned in today's episode are in the
Speaker:show notes and writing pursuits.com Please join us on
Speaker:Wednesdays for new episodes and keep writing my friends. Keep